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Jim Carrey – I Needed Colour

On a Thursday afternoon somewhere between Indian summer and the promise of Autumn, while preparing a pitch for our latest documentary SELFLESS – I’ve stumbled across ‘I Needed Color’ with the brilliant Jim Carrey.

This piece made my heart burst a little more for the irony of destiny and what we were put here to do. Perhaps it struck a chord because as we sit on the verge of something bright and beautiful, a fear rushes through that maybe – just maybe we won’t actually make it.

There is no hiding from what you were born to do and the yearnings set upon your heart. We must have faith in our ability and the timing of grace; For all will arrive with a silent cascade of splendour, when we let go and allow the sweet color of life to wash over.

Do what you love – love what you do and you are half way there. Do what you love – with purpose and love and you will find your way home. 

“What you do in life chooses you. You can choose not to do it. – you can choose to do something safer… but your vocation chooses you.”

– Jim Carrey

 

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‘I Was A Stoner & He Was the Cowboy’ – Songwriter Jimmy Webb Remembers Glen Campbell

Glen Campbell was every aspiring lyricist’s dream – and Jimmy Webb remembers how their work together was the truest of collaborations – as they became friends for life.

1968 started a five-week run at No.1 on the US album chart with ‘Wichita Lineman.’ American Songwriter Jimmy Webb’s inspiration for the lyrics came while driving through Washita County in northern Oklahoma. Webb was driving through an endless litany of telephone poles, each looking exactly the same as the last. Then, in the distance, he noticed the silhouette of a solitary lineman atop a pole. Webb then “put himself atop that pole and put that phone in his hand” as he considered what the lineman was saying into the receiver.

Correspondent Bill Nutt spoke with Jimmy Webb as he payed homage to his amazing journey with Glen Campbell.

Jimmy Webb remembers the first time he met Glen Campbell. It was not an auspicious moment.

In 1967, Webb was in the early years of his career as songwriter. He had been a fan of Campbell, and he further appreciated the fact that Campbell’s version of his song “By the Time I Get to Phoenix” was a hit on the country charts.

So Webb went to a recording studio to meet Campbell.

“I had long hair, and I wore a vest and a pair of jeans I never took off. I was in my hippie stage,” Webb says.

Campbell was fiddling with a guitar and amp, apparently paying no attention whatsoever to his visitor. “Finally, I said, ‘Mr. Campbell, I’m Jimmy Webb.’ He looked up at me and said, ‘When are you gonna get a haircut?’ ”

Now Webb laughs at the meeting. “He was a straight shooter, clean-cut,” he says. “I was a stoner. I was the mad professor, and he was the cowboy.”

From that unlikely mixture, however, came a fruitful collaboration and a deep friendship. Campbell ended up recording over 100 Webb compositions, including acclaimed versions of “Wichita Lineman” and “Galveston.” The rapport that blossomed between the two men arose from similarities that overcame any differences, according to Webb. He points out that he was born in Oklahoma, while Campbell was a native of Arkansas.

“We came from dead identical backgrounds, very poor in adjoining states, and from a fecund mix of church music, country, and a lot of family singing. We brought that common origin story. I’ve been accused of writing melodies that are rangy. My songs modulate; they start in one key and end in another. Glen had the ability to sing what I wrote, and not everybody can. It’s past time to go back and look at Glen’s contribution’s to music, which have been sadly overlooked. 50 years of friendship and partnership. There was a lot of love on both sides that resulted in unsurpassable pop music. Glen and I touched the sky a couple of times.”

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John Lennon Talks About the Inspiration Behind Woman

WOMAN
Woman came about because, one sunny afternoon in Bermuda, it suddenly hit me. I saw what women do for us. Not just what my Yoko does for me, although I was thinking in those personal terms. Any truth is universal. If we’d made our album in the third person and called it Freda and Ada or Tommy and had dressed up in clown suits with lipstick and created characters other than us, maybe a Ziggy Stardust, would it be more acceptable? It’s not our style of art; our life is our art… Anyway, in Bermuda, what suddenly dawned on me was everything I was taking for granted. Women really are the other half of the sky, as I whisper at the beginning of the song. And it just sort of hit me like a flood, and it came out like that. The song reminds me of a Beatles track, but I wasn’t trying to make it sound like that. I did it as I did Girl many years ago. So this is the grown-up version of Girl.
-John Lennon, 1980

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Bumi Thomas

We met Bumi Thomas purely by fate.

Lost in the dark of the night on a recent trip to London we searched for the flat of our next interview.
Bumi was the only person in sight when we asked her where the address was and she coyly replied , “I think I know who you are looking for (with a smile we would soon recognize) follow me…” it turned out Bumi was the assistant to the subject we were searching for.

Check- out another song, “Mother Tongue” 

Bumi, your music is a gift to the world and it likely was exactly at the stroke of midnight you surprised us with your voice one night.

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