World Premiere Of ‘The Jazz & Blues Art Box’

By Doug Hall

“As any jazz archivist can attest, filming records in the smoky nightclubs with dimly lit stages, where many jazz & blues musicians performed, were sometimes all that history had as a record. Housed in a modular cabinet, are 400 hours of music, 96 exclusive interviews and 20 yearbooks. Inside ‘The Jazz & Blues ART Box’ – it is this type of storytelling that brings alive the behind the scenes aspects of jazz history.” – Doug Hall

The roots of jazz, according to many sources (scholars, musicians and jazz aficionados) derives from a “union of African and European music”. Connecting the American origins of the birth of jazz music dates back to New Orleans about 100 years ago – and its most important originator Louis Armstrong. Fast forward to the present and we have a rich history of musicianship that has driven this particularly American-based genre of sound. And before jazz – the blues, an origin that dates back to, historically, and generally accepted as, evolving from “African spirituals, chants, work songs, field hollers, rural fife and drum music, revivalist hymns and country dance music.”

But in the modern age of the 20th century, particularly post WWII, the “live” performance of both jazz and blues was the way to reach greater audiences and truly let the music and musician express themselves and “improvise” and “take it” to the audience, “at the moment.” We know the “big” names for premier festivals in the U.S. such as the Newport Jazz Festival, The New Orleans Jazz and Heritage Festival and the Monterey Jazz Festival. But how about the International Jazz Festival Bern, Switzerland? For 40 plus years of “hard swinging”, the founder Hans Zurbrügg has been delivering a commitment to a purist form of jazz shared by icons such as Dizzy Gillespie, Oscar Peterson, Sarah Vaughn, Sonny Rollins and contemporary legends Wynton Marsalis, Marcus Roberts, Christian McBride and Diana Krall. Now – picture a collection of 20 years of impeccably recorded and on-stage filming (by Swiss Television) of seminal performances by these jazz greats followed-up with off-stage interviews – where these pioneers share thoughts about their life, their music and the expression of jazz music itself.

Hans Zurbrügg, George Wein, Wynton Marsalis at NYC Premiere  

Photo Credit Hank O’Neal

Hans Zurbrügg, Founder and producer of the International Jazz Festival Bern(Switzerland) has just announced release of ‘The Jazz & Blues ART Box’, a collection of 230 DVD’s, in a fully functional and accessible 3 drawer cabinet, that includes DVD’s, yearbooks and an art book. On-board with enthusiasm and helping to present and promote the uniqueness of this collection are other legendary members of the jazz community including George Wein (founder and artistic director of the Newport Jazz Festival), Wynton Marsalis (trumpeter, composer, and artistic director of Jazz at Lincoln Center) and Hank O’Neal (photographer, author and music producer). From 1983 to 2002, the International Jazz Festival Bern was televised and broadcast by Swiss Television, resulting in this remarkable record -both visually and auditory – archiving what Hank O’Neal calls the “most remarkable collection of jazz and blues performances on video ever assembled.”

Hank O’Neal, George Wein, Wynton Marsalis and Hans Zurbrügg

Mr. Zurbrügg’s – commitment as a musician (trumpeter) and passionate promoter, and noted entrepreneur would take his jazz festival along the steps, from a fledgling beginning in the 1960’s to what would become “one of Europe’s great jazz festivals.” Reflecting on his early days in Bern, Wynton Marsalis recalls, “This festival stood out as one of the few that embraced the integrity of Jazz when many others proudly and successfully expanded their festival audience by selling a watered-down roster of non-jazz.” By 1976, Mr. Zurbrügg would be the founder and producer of the Bern Festival, and creating a line-up year after year that would include the seminal names in jazz on stage including Oscar Peterson, The Modern Quartet, Sonny Rollins, Dave Brubeck, Sarah Vaughan, Art Blakey, Joe Williams, Clark Terry, Benny Carter, and Gerry Mulligan. This is just a taste of the full line-up of filmed recordings in this collection of stellar musicians at the height of their creative abilities – caught live for all future listeners and historians to enjoy and to serve as an educational history for this unique genre of music.

Legendary Jazz – Saxaphonist – Composer – Arranger – Jimmy Heath attending the NYC Premiere

Photo Credit Hank O’Neal

As any jazz archivist can attest, filming records in the smoky nightclubs with dimly lit stages, where many jazz & blues musicians performed, were sometimes all that history had as a record. Mr. Zurbrügg took this to heart and pursued an agreement with Swiss Television to record every performance at his festival. But most importantly, Mr. Zurbrügg ensured a standard excellence and caliber of recording, “It was determined that the concerts would be filmed with full production values, with the highest quality technological standards of the era.” As many of these legendary musicians have not only long since left the stage, but also have passed into history, “The Jazz & Blues Art Box” now remains a very critical record of performance and also interview.

At the World Premiere of “The Jazz & Blues Box”, (NYC, June 8, 2017), in just one example, in interview, I listened to Art Blakey (of Art Blakey and the Jazz Messengers) tell his story about his beginnings, moving from the piano to the drums in a Chicago club, operated (by his own admission) by the “mob”, and how he was un-ceremoniously told to vacate the piano seat and accept his next job as drummer. This, again, is an interview moment that would be lost without this vital collection. Blakey, of course, would go on to be an extraordinary performer and contributor as bandleader and mentor for many upcoming jazz leaders like Wynton Marsalis. It is this type of storytelling that brings alive the behind the scenes aspects of jazz history. In fact there are 96 individual un-released interviews in this collection, as stated by Wynton Marsalis, “Hans Zurbrügg went a step further and convinced Swiss television to record and broadcast interviews…the most important jazz legends provide an in-depth insight into the life and musical heritage of Jazz & Blues culture.”

The Jazz & Blues ART Box on display at the NYC Premiere

Housed in a modular cabinet, with three drawers, on caster wheels, designed exclusively by Swiss manufacturer, USM, are 400 hours of music, 96 exclusive interviews and 20 yearbooks (and one large format book). Touches of modern art affects are finished-off by legendary graphic artist Roger Pfund. This small footprint reveals a treasure of recordings, which Hans Zurbrügg refers to as a “collection of historical value.” At the World Premiere in New York (June 8, 2017), all attendees were given a numbered ticket that coincided with one of the DVD’s in the “The Jazz & Blues Box”. As I approached to receive mine, I felt, as certainly everyone else did in the audience that night, that this was a “lottery” ticket where every selection was a winner.

The best part of what we do is meeting inspiring people like writer Doug Hall. His contributions are a blessing and bright light to Fresh Independence.
Meet Doug…
My lifelong passion for writing and literature (which are wed to each other) continues to stay active, with art and cultural freelance writing assignments for on-line entertainment web sites. Home has been New England, Rocky Mountains, and London and lots of places travelled through books and points of view. (publishing in and )
“Creativity is a continual surprise.” 
― Ray Bradbury

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Kathleen Gyllenhaal Speaks About Her Latest Film In Utero

I had the privilege to speak with the very earthy and inspirational Kathleen Gyllenhaal.
An acclaimed writer – film maker – producer – mother – married to Stephen Gyllenhaal whom she collaborates on many projects with.
Her latest offering was directing a documentary film titled ‘In Utero’ which is a fascinating look at how the mother’s physical – mental – emotional and lifestyle environment may be effecting her unborn child.

At first I felt ‘oh wow – what else can we put on our shoulders as women!’

I was so relieved to discover we are all just doing the best that we can.
‘In Utero’ is a well thought through film with intriguing professional perspectives encouraging us to really think about it all.

Watch the trailer below at In Utero Film and find out how you can host a screening.


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Do What You Love – Love What You Do

The eagle has landed after a three week journey to places we only ever dreamed to walk through England, Scotland and Amsterdam.
Two old souls with hearts wild and full of reckless abandon – letting the stars guide their path to the very place they are meant to be.
It seems the most important and yet the hardest part of documentary film making, is collecting the footage and allowing the story to unfold. In a society where all is moving so fast it is difficult at times to find the strength to walk as slowly as it often times takes to get this job done.
Be brave enough to allow passion to drive you – remain authentic to the stories collected onto each memory stick you shoot – don’t lose sight of your purpose.
Stay true to the course and you are on your way to creating something worth watching – with the potential to imprint on the hearts of those who take the time to  engage.
This year will see three films come to life as we take it to the limit of our dreams.

SELFLESS – Behind the Lens – Love Yourself More are Fresh Independence – they are documentary – music – life.

Do what you love – love what you do and never give up on what you believe in.

Stay tuned as our team of dedicated hearts brings you some amazing stories. We could not do it without each other.

Warm  regards,
Kim Laureen

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A Good Day

Today felt as quick as a dream.

We have been listening to Paolo Nutini since his debut Album, “These Streets” crossed our path in 2007.
If you know us; you would know we have probably pushed his music on you.
I remember in the earliest days setting up our lap top one night and turning out the lights to watch a concert online via and we just bobbed and grinned to the findings of his Scottish rasp and soulful sound.
On a vacation to California that year we played his Album on repeat every afternoon into evening by the pool and the neighbours would knock and leave notes for us to turn the music down, but of course we could never hear them!

Little fact: there is a secret stripped down version of the song, “Last Request” at the end of the album.
We climbed aboard his train 10 years ago and today we boarded the train to his home town of Paisley.
How could we not, when we had a couple days off. We took the train from Edinburgh to 20 mins. outside of Glasgow where we wandered down a lane to a Ma and Pop gem, “Castelvecchi” 10 New Street, Paisley
(The fish and chips are the best we have ever had by the way) soon as we walked up, we tried to somewhat wipe the permanent grins we were carrying, but it was impossible and yes, I will admit it, I soon felt that of super fan status.
So much of this trip has been trying to soak in the moments that I feel are passing by too quickly to catch. … long story short; we were there just to enjoy, but naturally always in film/storyboarding mode, Director Kim Laureen decided that we should ask the Nutini family if Paolo’s Mom would be interested in being part of the Women behind the Men of Rock n Roll Documentary.
We wrote our email on a napkin and built up the courage to give the waitress our elevator pitch. She said his Mom wasn’t around today, but his Dad the cook would come over! Alfredo, decided to call his wife to ask her then waved Kim over to speak with her and I cannot explain how much joy and laughter this moment brought.
Here you can see Kim trying to translate between the thick Scottish accent in the middle of the kitchen where we always and never dreamed to be.

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