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Behind the Music with The Palms

The overall message behind Future Love is the idea that we all live, love, learn, fuck up and live again.  As long as we all strive to be the best version of ourselves as possible, then we’re doing it right.  There’s become this culture of viciously attacking people online after they’ve been caught doing something illegal or immoral.  As if society has taken it upon themselves to become the moral police or something.  It’s like, no shit, we all make mistakes, it’s part of life and the people feeling the need to anonymously slander a stranger on twitter for getting caught doing cocaine at a baseball game or something, need to get over themselves and worry about their own shit. Our mentality is…fuck it, we’ve smoked it, we’ve drank it, we’ve stolen some shit and we’ve hurt some feelings and we’ve learned a lot in the process.  Stop judging other people for living their lives and focus on your own.

Listen to more music by THE PALMS 

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Galadrielle Allman’s – “Please Be With Me: A Song For My Father”

By Doug Hall

“He could play rhythm, acoustic, anything you want,”… “He couldn’t read a chart but he had this amazing talent. You hear this all the time but Duane really had it. He’d hear a song one time and you didn’t have to tell him – you play any chord in the song and he would know right where it was.”
-Jimmy Johnson, FAME Studio’s House guitarist & producer of Hour Glass demos.

‘Most slide players are muddy,’… ‘Their playing sounds sour. Duane is one of the very, very few who played clean, sweet and to the note.”
-Jerry Wexler, Producer, Atlantic Records

“I mean I couldn’t understand it…He would do – I really don’t know how to describe it(reference to the guitar notes hit by Allman on slide for “Layla” recording sessions). I loved the fact that he was an improviser… He threw away tradition a lot of the time. You know he was fantastically gifted.”
-Eric Clapton, “Layla” recording sessions

“He was the foremost electric slide guitar player… all the way around.”
– Dickey Betts, founding member and guitarist of The Allman Brother’s Band

“It’s always great to get a glimpse of something in somebody’s formative years, …with Duane Allman, who was here such a short period of time, you see the growth: He was great in 69’, but he was better in 70’ and in 71’ he was way better still, so who knows what 72’ and 73’ and 74’ would have brought…his ability was increasing at an exponential rate.”… “He was a huge influence on me.”
-Warren Haynes – founder of the band Government Mule, and guitarist/ singer of The Allman Brother’s Band since 1989.

These are some of the first hand acknowledgements that have come to describe Duane Allman, his guitar playing, his musicianship, and finding few other peers (i.e. Hendrix, Clapton, Page) – a definition in itself of being exceptional. Following in parallel, is the consideration of the explosive creativity signified by the 1960’s and early 1970’s. A chapter that closes a particularly crowded field of great musicians, bands and notably – lead guitarists – of this same time period. And yet Duane Allman still stands tall on a short list. But in a life tragically cut short in 1971, at the ascending rise of his star, with the accompanying frantic pace of performances and demands for his time – to record, to sit-in on a session, to collaborate with a musician in NYC, after finishing a concert in Atlanta the night before, or finding a moment to just to jam with a friend, and then off to catch the next flight to a gig, and on and on – How do we ever come to know him? – without reflection, or a chance to peek backwards.

a duane allman

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Documentary Production: Behind The Scenes

Behind The Scenes with Mama Kin, John Butler Trio, & Shakey Graves

In a sense this folk festival ambiance was our first ‘round at the rodeo as we pulled into Calgary. Excitement, inspiration, and lack of sleep was on our side from the one hour nap due to rocking out at Shakey Graves the night previous.

Day two was one for the books and it started with the breakfast of champions under a golden arch. Crew for the Day was highly recommended Cinematographer and Sound Technican [Life Capture’s] Adam Peariso and product of a desperate google search which ultimately was meant to be brought us Photographer Allison Seto.

The itinerary was to film an interview with John Butler of The John Butler Trio, partner to our muse Mama Kin followed by the band’s headline performance at The Calgary Folk Festival.

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We Are Scientists- Brooklyn, NY

We are not a terrifically disobedient band as a rule, but we were extremely late for a live radio program because we decided to see, ‘Wolf Of Wall Street’ a three hour film [laughs] and we had about two and a half hours available. That was a pretty wild story, I got really scared that our manager was going to punch us, he said he wasn’t mad, just disappointed which was almost worst.

WE ARE SCIENTISTS

WAS Self Sketch

In this moment we are feeling… That it must be happy hour.

Aside from communication, we cannot live on the road without… Idiotic bullshit.

Shout-out to our current favourite Band or Artist: PAWS

Pre-Show rituals include… Shots & REO Speedwagon

Our favourite food is… Popcorn

A quote or piece of advice that will always stick with us is… “Remove your high-heels and place glasses in pocket.”

Three adventures yet to be… Own a Bar, Host a Talk Show, Catch a Killer

True love is… $3 Margaritas

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